Services
Three disciplines.One coherent room.
We do editing, color, and VFX under one roof — not because it's convenient, but because the disciplines lie to each other when they don't share a hallway.
01 — Discipline
Film & Drama Editing
The story exists in the cut. Everything before it is raw material.
From assembly to picture lock, we edit features, drama series, documentary long-form, and limited series with an ear for rhythm and character. Our editorial process is director-led, room-based, and deliberately unhurried — because a cut that's almost right is still wrong.
- Assembly & first cuts
- Director's cut through picture lock
- Series editorial (drama, limited, docu-series)
- Sound design supervision & temp mixing
- Delivery of AAF, XML, EDL for online conform
02 — Discipline
Cinematic Color Grading
A grade is a temperature, a bias, a stance. Not a preset.
We build looks from the story out — reference-first, then technical. Dailies through final delivery, in HDR (Dolby Vision, HDR10, HLG) and SDR (Rec.709, DCI-P3). Attended sessions in our Dolby-reference theater or remotely via calibrated ClearView Flex.
- Look development & LUT design
- Dailies grading with round-trip metadata
- Feature & series final grade
- HDR mastering (Dolby Vision, HDR10, HLG)
- DCP, IMF, and streaming-spec deliverables
03 — Discipline
VFX Synthesis
The best VFX is the shot you didn't know had any.
Cleanup, compositing, set extensions, sky replacements, muzzle flashes, invisible stitches, and the occasional creature — supervised by artists who cut their teeth in feature film, not commercial post. We handle shot counts from single-digit cleanup gigs to 300-shot features.
- On-set VFX supervision
- Rig, wire, and object removal
- Set extension & digital environments
- Compositing in Nuke & Flame
- CG integration & lighting
Next step
Tell us about the film.
A short paragraph is enough. We'll write back within two business days with a real assessment, not a template.